帐篷外面是欧洲第二季

　　tvN综艺节目《帐篷外的欧洲》是用露营地代替酒店，用租车代替火车，用超市代替餐厅旅行的综艺节目。                                                                    　　第一季由演员刘海镇、陈善圭、朴志焕、尹均相带来瑞士和意大利露营记。                                                                    　　第二季由演员赵震雄、崔元英、朴明勋、权律一起出演。从西班牙信步出发，通过露营得到治愈。特别是赵震雄、崔元英、权律在同一家娱乐公司，因此将展现至亲化学反应。姜弓PD说：“平时四个人很亲近，所以很忙地吵吵闹闹。会给大家带来与前一季不同的乐趣。”

阿甘正传

阿甘（汤姆·汉克斯 饰）于二战结束后不久出生在美国南方阿拉巴马州一个闭塞的小镇，他先天弱智，智商只有75，然而他的妈妈是一个性格坚强的女性，她常常鼓励阿甘“傻人有傻福”，要他自强不息。 阿甘像普通孩子一样上学，并且认识了一生的朋友和至爱珍妮（罗宾·莱特·潘 饰），在珍妮 和妈妈的爱护下，阿甘凭着上帝赐予的“飞毛腿”开始了一生不停的奔跑。 阿甘成为橄榄球巨星、越战英雄、乒乓球外交使者、亿万富翁，但是，他始终忘不了珍妮，几次匆匆的相聚和离别，更是加深了阿甘的思念。 有一天，阿甘收到珍妮的信，他们终于又要见面……

圣爱之旅

Chaos ensues when a father and son travel to a farm festival via the Wine Trail in a Parisian taxi.(http:www.kan84.netbdhdbtshengaizhilv.html)

画皮2022

　　《画皮》根植经典，奇幻为表象，以“人妖情”为切入点，讲述了女妖小容和书生王怀卿及其妻子阿若的痴缠虐情，开启了一段人妖在心色皮相、生死劫难之间的疯狂历程。

闪灵二人组

　　美堂蛮（神奈延年 音）和天野银次（森久保祥太郎 音）是一对拥有神奇能力的好搭档。继承了欧洲女巫血统的阿蛮可以让与他对视的人在一分钟内产生幻觉，他的“蛇咬”更是威力无比；具有双重人格的银次宛如电鳗，可以在瞬间释放出10万伏特高压电流，化身“雷帝”后的他所向披靡。这对各自拥有不同背景却有着类似经历的青年走到一起，充当专门替委托人取回东西的“夺还者”。在新宿这片鱼龙混杂的黑暗地带，他们凭借自身的特殊本领一次又一次出色完成任务。然而这期间同样伴随着诸多危险，越来越多超能力者的介入，他们的工作充满了无限的挑战……                                                                    　　本片根据青樹佑夜原作、綾峰欄人绘画的同名漫画改编。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

交换年轻夫妇

：Cheol-woo 和 Bo-yeon 一直在尋找新的xing愛。重新設計已經容忍了一段時間的交換

原子伊甸园

影片讲述了一群国际雇佣兵在执行一项神秘的任务时意外地被困在一个破旧的开采场——切尔诺贝利的废墟。在弹尽粮绝且无法与外界获得联系的情况下，他们在那里遭遇了一群暴力狂人，为此所有人必须联合起来对抗这群入侵者。以8人之力顽抗800人，他们唯一的信念就是：绝不认输。

明星大侦探互动衍生2之目标人物

节目延续明侦经典IP，打造全新互动剧模式，故事发生在每天都会发生各种诡异案件的芒城，“赏金猎人”网站蛰伏在芒城错综复杂的关系网之下，网站每完成一笔交易，芒城就会发生一起新的案件。就在此时，操纵网站的犯罪天才A（白敬亭 饰）竟然意外失忆，并被卷入一场废弃基地的逃生游戏，而游戏内容就是破解他失忆前布下的迷局……他能否从这场危机四伏的游戏中安全脱身？

春雷

《春雷》讲述石岘造纸厂和长白造纸厂在全国大跃进的浪潮中互相鼓励互相促进，展开了抓生产、促革命的竞赛。为争取在保证质量的情况下尽力缩短纸张蒸煮时间，赶超其它造纸厂，石岘厂的试验员朴容吉在党委书记等厂领导的支持鼓励下，大胆试验强力蒸煮法......

银汉双星

南海音乐家李旭东创作音乐\"楼东怨\

蹩鼓小子

飞天蹩鼓精传六代被财主黄大鼓篡了位。大师兄老余头集结流浪汉、智障儿凑成班子，誓夺回传承权。孙子余果无心继承，他乡追梦，鼓团靠一亩三分苹果地苦撑。一场突变，果遭灾、娘病逝、爹失常、爷出走，余果何去何从？