别叫我酒神2

该片讲述了昔日一战成名的东北酒神老九（宋晓峰饰），为了帮助妹妹小九（崔菁格饰）不得不重出江湖，与房地产开发商田旭（黄继栋饰）及其手下们展开了一段围绕“酒”的斗智斗勇之旅的故事。

铁马寻桥粤语

1912年广州，清朝灭亡。前清武状元荣德（林嘉华饰）流落广州，落难时幸得顾坚诚（郑嘉颖饰）及妻子欧阳惠兰（杨怡饰）搭救。不料却是引狼入室，荣德不仅恩将仇报，还还得惠兰家破人亡。惠兰独自抚养儿女，一心要报这血海深仇。1936年，苦撑武馆20多年的惠兰（元秋饰），几经周折终于与失散多年的长子顾汝章（郑嘉颖饰）团聚。汝章回家后才得知二弟顾汝棠(马国明)身患重疾，以及与荣家的世仇。汝章本无心学武，但一次遇上荣德跋扈嚣张的儿子荣万钧(向佐)而大打出手，才让大家发现汝章是习武之材。惠兰祈望儿子为武馆重振雄风，为当年的血海深仇讨回公道。新仇旧恨，两代纠葛。《铁马寻桥》由元秋、郑嘉颖、马国明、李诗韵、唐诗咏、林嘉华等领衔主演，为2009无线节目巡礼剧集之一。

祈祷落幕时

位于东京都葛饰区的一座公寓内，一具高度腐烂的尸体被人发现。经警方初步查明，死者是来自滋贺县的押谷道子，她的死亡实属他杀。警视厅搜查一课刑警松宫（沟端淳平饰）调查发现，押谷此次上都是为了拜访并观看学生时代的好友浅居博美（松岛菜菜子饰）的舞台剧的。虽然浅居有充分的不在场证明，不过她和加贺恭一郎（阿部宽饰）的合影依然引起松宫的注意。与此同时，在道子遇害公寓的附近，一具焚烧后的尸体被人发现。现场的一件遗物令加贺激动万分，因为这与他多年未曾谋面的母亲有着千丝万缕的关系。两起案件，以及失踪的人，将浅居和加贺再度连接在一起……本片根据日本著名推理作家东野圭吾的同名小说改编。

恕不原谅

Jackson and Emily aren't like the other kids. Two burgeoning sociopaths on the brink of total meltdown. Ticking time bombs seeking revenge. Who will unravel first?

我是英雄

猎人的魂不是手里的枪，而是面对猎物时的智慧与勇气，要比狐狸更狡猾，要比恶狼更凶狠。正是这句话让一名普通的猎人将大智大勇演绎到了极致，创造了一个又一个抗日传奇。九·一八事变前夕，日军派矢野少佐对哈尔滨进行秘密勘察。猎户赵英雄无意中听到了矢野的绝密谈话。矢野杀人灭口，赵英雄被迫出手杀死矢野及其三名随从。赵英雄下山的途中遇到土匪火并，因被女匪一枝花的美貌吸引，出手救下了一枝花。为答谢赵英雄的救命之恩，一枝花要满足赵英雄一个要求。但谁也没想到，赵英雄提出的要求是让一枝花做他的女人。一枝花的手下翻脸。一枝花放言，她这一生只嫁英雄。赵英雄从此一心要成为英雄。为了尽快戴上英雄的桂冠，他舍生忘死，费尽心机，熊洞摸枪，智夺头坐全城张贴“杀倭令”……赵英雄终于一夜扬名。当赵英雄背负着盛名去见一枝花时才知道，哈尔滨城内那一切的英雄壮举都是一枝花亲手所为，他不过是个跟风留名小丑而已。赵英雄羞愧难当，然而他留给一枝花的最后一句话是，让一枝花等着他，他一定会成为英雄。时势造英雄，抗日的洪流将赵英雄推到了风口浪尖。一枝花遭了日本人的毒手。仇恨在胸的赵英雄让哈尔滨人再次见识赵英雄非凡壮举，鏖战江桥埠，神枪定大兴，血战横头山，夜袭孔家店……但英雄之举，却被陷害，赵英雄背上了汉奸的骂名。一枝花离奇生还让赵英雄喜极而泣，但一枝花嫁给白荣福把赵英雄从峰顶推到了谷底。为当不为一己为天下的的真英雄，扛起了抗日的大旗：智取五常堡，决战冰坡子，勇闯哈尔滨……历经磨难，赵英雄实践着英雄梦和抗日大志。红颜薄命，一枝花在与日军的生死绝杀中她为赵英雄而死。赵英雄为一枝花立起了坟茔，并以夫妻相称。仇恨曾让让赵英雄迷失了双眼，以李志刚为代表的共产党人点亮了他的心灵。赵英雄从恶狼变成了一头机智的头狼，磨牙吮血，围追堵截，战无不胜，带着对一枝花的爱赵英雄岿然不动，他成了黑土地上不倒的旗子。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

天地无限（国语版）

故事发生在1882年的美国西部平原，在那片广阔的土地上，生活着名为“拓荒者”的人们，他们自由的选择土地，辛勤劳作，放牧牛羊，安居乐业，查理（凯文·科斯特纳 Kevin Costner 饰）、苏（安妮特·贝宁 Annette Bening 饰）、莫斯（亚布拉哈姆·本鲁比 Abraham Benrubi 饰）和斯皮尔曼（罗伯特·杜瓦尔 Robert Duvall 饰）正是其中的成员。

爱情同课程

讲述大学里的青春爱情故事。金泰焕饰演 Roa，一个非常受欢迎的人，韩贤俊饰演 Jiwoo，一个看似友好实则傲慢自大的家伙。

喊·山

故事发生在闭塞的山区之中，韩冲（王紫逸 饰）为了捕猎设置了炸药，哪知道这炸药没被动物踩到，却被同村的腊宏（余皑磊 饰）给踩了个正着。炸药爆炸了，腊宏身受重伤，最终不治身亡，留下了可怜的哑巴妻子（郎月婷 饰）和一双儿女。

护宝娇娃

阿列娜是个美丽的俄罗斯姑娘，她不但是人类历史和史前文明的专家，更是一个身手矫健的搏击专家和攀岩爱好者，经常受雇于各种基金会去全世界发掘和寻找史前遗迹。格林是一个以考古之名进行盗墓和文物走私的所谓“考古学家”，在一次意外中他发现了一个古代遗迹并从中解开了“世界末日”之谜。　　在遥远的古代地球上已经存在着一个高度发达的史前文明，他们预测到了未来人类将会有十分之一的人死于由太阳风暴而引发的“末日”灾难。为此，史前地球上的七个文明各自打造了一个具有神奇力量的护身符，只要有一个护身符最终流传到未来，就可以使全人类逃过大劫。　　然而，古人们低估了人性的贪婪和黑暗，格林教授将史前遗迹和末日灾难的研究成果出卖给了全球最大的军火组织，人类的灾难在这个组织的眼中却是趁混乱发财并进一步控制世界的大好机会，他们派出雇佣军在格林教授的带领下开始在世界范围内寻找另外六个史前文明的发...

流氓公仆粤语版

警察李惠明（李修贤 饰）是个玩世不恭的家伙，行为作风很是随意。他甚至会借故跟晨练的女孩相撞趁机占便宜。不过，在抓罪犯方面，他还是尽职尽责，警队的员工都称呼他为大情人，尤其是老警察亚彪（王钟 饰）跟他配合默契。不过，新来的女上司却对他们很是看不惯。有一次，他在餐厅为了素未谋面的女模特安妮（杨雪仪 饰）大打出手。后来，在抓捕罪犯大烟枪的过程中，他再次碰到了上次搭救的安妮，得知她正遭受骚扰。原来她换衣服时被摄影师男友瑞奇偷拍，后者以此威胁逼她就范。为了帮安妮出气同时展开恋情，大情人挺身而出当众教训了男友，由此遭到了对方的嫉恨。后来，在一次办案中，他将借故捣乱的男友送进了精神病院。不想，后者偷偷逃出了精神病院，并开始了凶残的报复行动……©豆瓣

神奇女侠

戴安娜（盖尔·加朵 Gal Gadot 饰）是女王希波吕忒（康妮·尼尔森 Connie Nielsen 饰）的女儿，自幼生活在天堂岛上。巨大的屏障将这座岛屿同外界的纷纷扰扰隔开犹如一个世外桃源，而岛上生活着的亦都是女性。在女武官安提奥普（罗宾·莱特 Robin Wright 饰）的教导之下，戴安娜习得了高强的武艺，而她的体内，似乎隐藏着某种强大的未知力量。 　　一场意外中，一位名为史蒂夫（克里斯·派恩 Chris Pine 饰）的男子来到了岛上，从他口中，戴安娜得知外面的世界正在经历战争的磨难，而造成这一切的罪魁祸首，是战神阿瑞斯（大卫·休里斯 David Thewlis 饰）。为了拯救人类于水火之中，戴安娜依然拿起了长剑与盾牌，发誓要彻底摧毁阿瑞斯的阴谋。