史上最强炼体老祖·动态漫

十万神魔炼体，万妖骨血锻皮，九天阴阳照脉，诸界星斗塑魂。 叶苍玄，举世第一炼体老祖，因与天劫相争而陨落凡界，通天榜易主，九界大乱。 然这一世叶苍玄化凡历劫，重振神威，仍可凭炼体之境，举世无敌。 任你丹药法宝，神通无尽，我自横推一切，肆意逍遥……纵横于天地之间……

王者杰克

十五岁的小镇少年除了上暑期班就是在街头巷尾闲逛，鲜有朋友。虽然跟随妈妈和哥哥生活可似乎并没有人真正关心他的需求。因为姨妈有事，少年不得不照顾来与他们同住的表弟本，然而表弟来的当天就发生了许多事情……

霹雳金光

【故事简介】：霹雳系列乃因每出剧名皆有「霹雳」二字得称，以1984年「霹雳城」为最初创始，然现为大家所熟悉认知的霹雳布袋戏，系指1988年「霹雳金光」以降，以素还真一角作为主线衍生发展的天下武林故事。霹雳系列由「十车书」黄强华职司编剧、「八音才子」黄文择统筹口白，从「霹雳金光」、「霹雳眼」、「霹雳至尊」一路铺陈而下，至2006年「霹雳奇象」计已播出一千馀集，为霹雳国际多媒体的主干布袋戏．

3月17日 22-23赛季NBA常规赛 雷霆VS猛龙

听见下雨的声音

下雨天，有人说是天空在哭泣，也有人说那是邂逅的天气，它是如此的浪漫，富有感情，许多故事都是从这里开始的……　　一个下着雨的夏末，热爱音乐的乐团“给一个说法吧”主唱阿伦（柯有伦 饰）在市集中汉服摊位遇到美丽的大学生雨婕（韩雨洁 饰），雨婕清新脱俗的气质让阿伦一眼就烙在心中，那股气息令阿伦想起那段大学时期最美丽的遗憾——Sharon（徐若瑄 饰）。　　阿伦和雨婕两人的感情渐渐萌芽之际，阿伦的乐团却因为唱片公司的决策使得团员间闹不愉快，雨婕想帮忙分担阿伦的压力与烦恼，却又无力可施，反而造成两人间的不快。阿伦又在此时遇到现已成为摇滚天后的Sharon，两人再次见面，回忆点滴浮现，两人情愫再度悄然而生……　　此时，阿伦的好友画家周以乐（释小龙 饰）将这三角关系全看在眼里。对于雨婕，他有着一份特殊情感，原来四年前……

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

战士第三季

　　根据李小龙生前同名项目改编的美剧《战士》确定续订第三季！

黑狱圣女

三个出监少女，被黑社会利用刺杀法拉利,露丝,玛莉和苏珊这三名漂亮的女孩子在复杂的社区成长,长大后被黑道集团某大哥威迫下曾犯下了不少案件,终于她们忍不住无耻的老大y-威...

永远的朱迪·布鲁姆

The radical honesty of the books by young adult fiction pioneer Judy Blume changed the way millions of readers understood themselves, their sexuality, and what it meant to grow up, but also led to critical battles against book banning and censorship. 　　源自：https://festival.sundance.org/program/film/638a1a91d406b20bd7f2d581

2月25日 22-23赛季西甲第23轮 埃尔切VS贝蒂斯

吾土吾民

马汉（沙鲁克·罕 Shahrukh Khan 饰）是一名工作和生活在美国的印度人。常年过着和家人分离的生活，马汉感到十分寂寞，非常想念在故乡生活的乳母。某日，他决定踏上返乡的旅途，然而到达目的地后才发现物是人非，他的乳母早已经前往了一个名叫“脚印之地”的村庄。于是，马汉再度上路。 途中，马汉邂逅了名为吉特（Gayatri Joshi 饰）的美丽印度女孩，两人坠入了情网。马汉想将吉特带往美国，可是吉特的家人却坚持两人必须在当地完成婚礼的仪式。就这样，马汉在吉特的故乡住了下来，在和当地人朝夕相处之后，马汉才发现这个看似恬静的村庄，其实暗藏着许多隐患和风波。

格林白雪公主

毗邻北法利亚森林的白谷国，老国王（爱德华·沃纳 Eberhard Wagner 饰）在狩猎途中被怪兽杀死。为了巩固本国于白谷国的和平盟约，邻国王子亚利山大（杰米·托马斯?金 Jamie Thomas King 饰）前来求婚，却意外邂逅美丽的白雪公主（艾莉莎·本内特 Eliza Bennett 饰）。美丽而邪恶的皇后（简·玛奇 Jane March 饰）看出王子对白雪公主的好感，于是心生嫉妒，秘密令与自己有染的猎人（本·麦多克斯 Ben Maddox 饰）在野外杀害白雪公主。谁知中途意外发生，猎人敷衍交差，白雪公主则被神秘的精灵族救下。 　　一度被人类所奴役驱使的精灵族，面对这个人类的公主心中充满矛盾。白雪公主全新的故事，全新的传说……