爱情同课程2

李光熙和BAE173的J-MIN一起出演大学生的情感网剧。

万紫千红

一个小餐厅女招待和一个富家子弟相爱，一同帮助贫苦孩子。片中穿插大量歌舞。

酒剑

上古洪荒，仙人修封魔塔并以“无尘神剑”封印魔界。数百年后无尘剑离奇失踪，守护者剑圣（何华超饰演）不愿牺牲自身修为，竟抽离初生的“纯阳之子”忘生的一魂一魄用以封印魔界，濒死的忘生被剑圣师弟酒仙（张德晖饰演）所救。二十四年后，忘生（谢苗饰演）和从小相依为命的少女一一（敬佩饰演），偶遇蜀山女剑侠风若离（诺瑶饰演）三人结伴踏上险恶的除魔之路。与善良的魔村村民之间的纠葛，令忘生感悟到魔物也有善恶之分。

我的幸福辣妈

该片以幸福为主题，从一个孩子的视角，讲述了普通人的小幸福。江燕是某周刊记者，有着独立思想的职业女性。整天忙碌于事业，却是家庭生活的失败者。丈夫刘可，是个小有成就的商人。儿子刘小梦一个11岁的小学生，有一种与年龄不相符的成熟与奇思妙想，甚至继承了些父亲机灵的商业头脑。江燕、刘可缺乏良好的沟通，经常吵架已让刘小梦不厌其烦。尤其是刘可的出轨导致了家庭战争的升级。人小鬼大的刘小梦为避免父母之间更大的伤害，竟然一手促成了父母离异，并且毅然决然与母亲搬出环境优雅的别墅。聪明能干的刘小梦在与母亲的生活中，让江燕从生活的低能转变成强者，并且有了更多的感动与感触。江燕决心从工作中走出来给孩子多一些温暖和经营，努力做一个成功的妈妈。这时刘小梦却在酝酿一个新的计划，给妈妈重新找一个丈夫，给自己找个“爸”。因为，妈妈的幸福也是孩子的幸福。当刘小梦为妈妈张罗着一个又一个相亲与约会时，幡然悔悟的父亲又突然出现在他们面前。刘可争夺儿子的抚养权，疯狂的阻挠江燕相亲。刘小梦经过种种努力最终实现了他的“幸福计划”，给父母分别找到真爱。大家开始了一段新的感情与生活。一段情节离奇，跌宕起伏，爆笑追踪的故事，就此展开……

秘密世界

　　Maria’s last day of class marks the start of a journey: she’ll cross Mexico but doesn’t really know why. What she does know is that this isn’t a fun trip; she knows it’s not something to write home about, it’s something else, it’s a journey that began in the depth of her dreams and in her broken heart.

香草美人

《香草美人》以抗战时期的上海为背景，围绕着情报的传递和猎取，中日两国五方展开了残酷又精彩的国际大混战。有别于以往谍战剧，该剧以独特的视角，演绎出一位旧上海奇女子的史诗传奇。

丹麦小村教堂

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

我们都是好孩子

这是一部青春、励志、情感电影，讲述一群即将走出大学校园的大四学生的激情和梦想，前卫时尚的再现当代大学生绚丽多彩的校园青春生活。表现她们爱情上的坎坷和在创业上的波折，在经历生活残酷洗礼之后，对未来的人生充满更多美好憧憬和期待。这是一个体现当代大学生与时代接轨，面对困难和挫折永不妥协，最后收获友情、爱情和成长的故事。

末代福晋

革命枪响，寿王府的老夫人为安人心，拿出慈禧太后钦赐的百寿袍，要赐给即将选出的新福晋。秋月与玲珑两位夫人明争暗斗，最有希望成为福晋的琬婷虽无心争斗，但为自保不得不应战。日本特使的到来，给了玲珑翻身的机会...

情为何物

本片讲述一位九十多岁的老妇人和一位一百岁的老伙伴在养老院里，每天不厌其烦地各自讲述着各自的故事，她们活在自己的世界里。每天被父亲锁在家里的十八岁女孩是一个自闭症患者，她常常处在幻觉中；无身的鱼头在呼吸，家里养的鱼总是死亡，日子一天天过的清晰，九十多岁的老妇终于有一天带着自己的故事走了。百岁老人依然喋喋不休地讲着自己的故事。自闭症女孩有一天改变了她的生活轨迹，生命沿着各自的轨迹在断续。

桃源魅影

风起云涌，宦官弄权的明朝末期，忠臣左光斗因弹劾奸佞魏忠贤而招致杀身之祸，满门惨死于东厂的黑暗权势之下。其女左清菡怀揣奸党贪赃枉法的证据“忠蠹名册”被锦衣卫百户方涂山所救，二人在逃避东厂追杀时，幸得路过的明教五行旗总掌旗使大邱出手相助，受伤落魄的他们由此被带入与世隔绝的桃源村。朝廷一面，东厂左右千户仇士海、狄耕为了争夺东厂督主之位明争暗斗；另一面，桃源村地处偏僻，村民均为明教教徒，虽被朝廷解散却始终奉行除恶扬善教义的明教教徒们，对突然闯入的二人抱有很大的敌意，大家开始因担心陌生人的到来可能给村子带来祸患而想方设法排挤左方二人，逼她们自己离开······

租赁新娘

一个想要继承遗产的年轻人雇了一个女人扮演他的新娘。虽然这只是一场表演，但他们之间的感情却出人意料地变得真实了。