鹿鼎记2：神龙教粤语

韦小宝（周星驰饰）要护送建宁公主（邱淑贞饰）嫁到云南，在途中遇到了独臂神尼的刺杀。小宝被抓走后，借口拜神尼为师，其实是想追求其徒弟阿珂（李嘉欣饰）。不料韦小宝被神龙教圣女龙儿（林青霞饰）抓走，想要报了之前在王宫里埋下的仇恨，却没想到遭到了平西王的陷害。韦小宝极力相救，龙儿以身相许更把绝世武功传于韦小宝。韦小宝与公主之间的事情被平西王发现了，平西王更提前造反，小宝将贪图富贵的冯锡范骗到东郊皇陵，没想到那里竟然是大清龙脉……

万界仙踪第四季

　　魔人为了得到天命神谕，大举入侵青羽世家，魔族首领亲自下场对战叶星云，但最终仍是棋差一招，被叶星云打败。与此同时，齐王姜尚来到宁城，终与叶星云父子相认，并发现叶星云是罕见的八脉缺一的体质，极有利于修炼姜家祖传的极天道诀。但就在叶星云接受了齐王教导，修为有所增进之时，神秘女子安芸忽然出现。她为了得到叶星云身上的九天神女图，使用奇门之术，将其带走，却不料因而卷入到了魔人和叶星云的恩怨之中....                                                                    　　第4季（第129-176集）于2020年9月14日起在腾讯视频开播，每周一、周四10:00更新1集。

性爱娃娃

在伦敦的高级应召女郎的世界，Amoureux Solitaires告诉的法国护送维吉妮，伦敦和鲁伯特的故事，一个人救了被贩卖的女孩-一个现代的爱情故事。 　　背景是倫敦，阿芙皙雅飾演的薇吉妮是應召女郎，她的老鴇信任她，還要她帶剛入行的妓女。她日複日賣淫，但也渴望愛情，當她遇到專門拯救受拐騙少女的年輕男子(史戴梅斯特飾)時，礙於自己的出身，愛得辛苦。 　　短評：《性》是《巴黎妓院回憶錄》(House Of Pleaures) 的法國紅星阿芙皙雅的最新情欲演出，再度挑戰妓女，為操皮肉生涯的年輕女子做出最大的控訴，無情揭開人的情欲真面目，而這段掙紮在社會底層的危險愛情故事，也拍得驚心動魄，因為操控妓女的惡勢力，不是省油的燈。阿芙皙雅身材火辣，多場與嫖客的性愛戲，導演也處理得火辣

本命年

经过劳动改造，犯人李慧泉（姜文 饰）刑满释放，他回到了从小生长的胡同。老街坊邻居罗大妈很照顾这个父母亡故、孤苦伶仃的小伙子。当年，哥们叉子因为女友爱上了别人，气愤不过，拉着讲义气的李慧泉，教训了那个男人，结果无意中弄出了人命，二人双双入狱。如今，叉子的家人对他们依旧抱有成见，只有叉子的弟弟觉得李慧泉是条汉子。 李慧泉在民警小刘（刘斌 饰）的帮助下，后来选择了练摊谋生，期间遇到了三教九流令他尝遍人间冷暖。在歌厅里，李慧泉认识了驻唱的歌手赵雅秋（程琳 饰），此后他成为她的护花使者，但是在他决定重新开始新生活的时候，却陷入了始料未及的困境…… 本片根据刘恒的小说《黑的雪》改编，获得1990年柏林电影节银熊奖。©豆瓣

史酷比！亲吻乐团收妖记

史酷比和朋友们以及史上最富有传奇色彩的摇滚乐队之一的亲吻乐团即将在这个全新的世界展开惊心动魄的大冒险！史酷比一行人进入了属于亲吻乐团的主题公园，这个主题公园以惊悚恐怖元素为主，让游人感受不一样的鬼屋之旅。然而他们在公园里发现了一系列奇怪的事情，在亲吻乐团的帮助下，他们了解到全身深红色的女巫企图从另一个平行宇宙中召唤可怕的黑暗力量用来摧毁地球，幸运的是邪恶又可怕的计划被史酷比他们的到来彻底打乱了。但是史酷比一行人以及亲吻乐团能否成功拯救地球呢？

寒山潜龙粤语

内详

我的小确幸

丛容被妈妈安排去国外念经济学，定居国外是丛母对丛容的最终要求。但一心想当律师的丛容，却自学悄悄潜回国内考取证书，并瞒着妈妈回国就业。没想到实习期遇到的第一个难关就是温少卿！为了能够顺利度过实习期，丛容与温少卿“斗智斗勇”。命运的红绳将两人越绑越紧，温少卿不仅是丛容的房东，还是对门邻居。当一切真相大白，丛容才发觉自己早已爱上温少卿。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

怒火威龙 怒火威龍

一万公里的约定

影片讲述了弟弟小崇（黄远饰）为挑战哥哥阿轩（王大陆饰）而踏上跑步之路，中途机缘巧合认识田径部高冷学姐以晴，小崇以晴找到新的奔跑目标，在亲情和爱情的双重激励下勇敢追逐梦想的热血故事。

22-23赛季意甲第7轮 都灵VS萨索洛

9月18日 22-23赛季意甲第7轮 都灵VS萨索洛

重获新生