机器战警

底特律是世界闻名的汽车城，这里的机械工业已经到了出神入化的地步。墨菲（彼得•威勒PeterWeller饰）是底特律的一个普通警察，既没有非凡身手、也没有高超技术。一次，他执行任务时被一伙暴徒暴打致死，从此他的人生轨迹改变了。底特律的科学家没能救活他的身体，却能将他的头脑和机械完美地合二为一。墨菲成了一个有着人类头脑和机械身体的机械警察！身上配备了各种武器、能应付各种各样的暴力活动的墨菲成了底特律警察的王牌。然而墨菲发生意外后他的家人却神秘失踪了，墨菲打击罪恶之余一直在竭力寻找家人。令人意外的是，墨菲的机械身体却是操控在一伙利益集团手中。他们一直都在利用墨菲干着各种罪恶勾当……

河马

由约翰·詹克斯执导，据史蒂芬·弗莱的同名小说改编而成。事业失意的诗人泰德·华莱士被他的朋友洛根邀请到其乡村庄园小住一段时间。由于最近在庄园里发生了一些奇怪的事情，泰德开始调查事情发生的原因。15岁的少年大卫·洛根，在洛根夫妇看来拥有一双有治愈能力的双手。洛根夫妇准备在聚会上向客人公开大卫的天赋，但是被泰德用一些奇特的方法证明那些奇怪的事情其实是一个骗局，从而挽救了大卫之后的尴尬局面。

冷血十三鹰粤语

　　越西鸿（谷峰 饰）是邪恶的铁船帮帮主，他手下有着名震江湖的十三鹰，作为他的爪牙，助其排除异己。司马鑫（杨治卿 饰）在江湖中德高望重，为人正派的他自然成为了越西鸿的眼中钉，最终，司马鑫和其家人全部都命丧在十三鹰的刀下。                                                                    　　戚明星（狄龙 饰）是十三鹰中的一员，尚存一丝善念的他对越西鸿的滥杀无辜早已经忍无可忍，遂离开了帮派。越西鸿将其视为叛徒，命手下全力追杀。逃亡途中，戚明星救起了一名手上的青年，他的真实身份正是司马鑫的女婿卓一帆（傅声 饰），两位侠肝义胆的志士一拍即合，不仅将前来追杀的刺客悉数歼灭，更杀回了越西鸿的老巢，誓要为江湖除害。

人间失格2010

出身于贵族家庭的大庭叶藏（生田斗真饰）容貌清秀，气质不凡，但他似乎对周遭的人与事充满了焦虑和不安，于是经常有意做出拙劣、愚蠢的事来将自己深深地隐藏起来。所有人中，只有原本陌生的同学竹一看透了他的心思，两人更通过画作成为知己。在上京高等学校求学期间，叶藏偶然结识同一画塾的堀木正雄（伊势谷友介饰）。这是一个放浪形骸、不拘小节的家伙。堀木仿佛来自伊甸园的毒蛇，为叶藏打开了通往地狱的大门。从此，对生命失去希望的叶藏愈加沉迷于酒色以及万劫不复的堕落之中……本片根据日本文豪太宰治的同名原著改编，系太宰治诞辰一百周年的纪念作品。

另一个约定

在韩国最大财团之一的三星集团下属工厂工作的一位女职员因白血病去世，随后女职员的父亲无意间听说与女儿同一部门的职员中也有人死于白血病，这究竟是巧合还是事出有因，为了查明真相一场普通百姓与大财团之间的斗争展开了...

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

超时空护卫队第一季

《灵境幻世》是拥有超高人气的虚拟现实游戏，其开发者卢危达来自未来。卢危达在未来世界因为诈骗罪而被通缉，他潜逃到现世，用他掌握的未来科技，先于历史开发出灵境空间技术，从而赚取巨额财富。卢危达的真正目的是让游戏中的怪物基美拉出现在现实世界中，最终统治世界。为了抓捕卢危达，来自未来世界的超时空护卫队派出了灵境巡逻员陆彩风。陆彩风发现大学生龙小峰是合适的人选。龙小峰经过刻苦特训，成长为了一名优秀的战士。与此同时，基美拉开始出现在现实世界，龙小峰的妹妹龙玲玲也受到了卢危达的控制。为了找回妹妹、保卫家园，龙小峰开始了讨伐游戏中穿越而来的各种怪物的艰巨挑战。

9月25日 23-24赛季西甲第6轮 拉斯帕尔马斯VS格拉纳达

1月4日 22-23赛季NBA常规赛 奇才VS雄鹿

美女孔心

一个历经生活崎岖的都市暖男律师安瑞泰（南宫珉饰）与正准备就业的可爱女人孔心（方敏雅饰）之间的爱情故事而展开，安瑞泰与孔心相识之初，他们会因为每一件事情而争锋相对，然而，在吵闹的过程中，他们开始重新认识彼此、审视自己，最终，他们在不知不觉中陷入爱情之中。

可卡因牛仔：迈阿密之王

Two childhood friends go from high school dropouts to the most powerful drug kingpins in Miami in this true story of a crime saga that spanned decades.

营救徐九

《营救徐九》讲述了律师沈忆秋的女儿果果突然被绑架了，绑匪要求她救出一名杀人犯徐九。为了救回女儿，沈忆秋接下了徐九的案子，沈忆秋和警长钱涛找到了徐九的时间证人小九红，结果发现小九红已经死了。