轻音少女番外篇：企划会议

　　阳光明媚的一天，秋山澪（日笠阳子 配音）突然大惊失色，她对着一个空空如也的曲奇盒子哀声连连，平泽唯（丰崎爱生 配音）、田井中律（佐藤聪美 配音）和琴吹紬（寿美菜子 配音）却不知道原因。这时小后辈中野梓（竹达彩奈 配音）拿着一张光盘出现在门口，而光盘正是让秋山失色的原因。原来光盘中记录了梓喵入部时轻音部各位制作的招揽新生录像，其中秋山角色扮演成护士模样，由于自感太过耻辱，所以她将当时的光盘封印起来。往昔的内容勾起了姐妹们的回忆，于是顺理成章想要再制作出新的招生录像，结果连颇不着调的山中老师（真田麻美 配音）也参与进来。为了让计划顺利进行，轻音部的各位召开了企划会议……                                                                    　　本片根据かきふらい的漫画原作改编，是该系列动画的OVA版。

冬荫功2：拳霸天下(泰语版)

坎（托尼·贾 Tony Jaa 饰）是一位武艺高强的拳师，精通碎象拳。他厌倦了尔虞我诈的江湖，和心爱的大象一起归隐田园，过着风平浪静的生活。然而，某日，黑社会出高价想要买走坎的大象，坎当然不会同意，谁知道第二天，大象便神秘失踪，这定和黑社会脱不了干系。 　　与此同时，黑帮大 佬被人谋杀，而种种的迹象和线索均指向坎，一时间，坎成为了众矢之的，只能再度踏上逃亡的旅途。一路上追击他的，除了警方和黑帮分子，还有象园老板的一双侄女，除此之外，坎还必须争分夺秒，寻回心爱的大象。落入如此凶险的境地，坎能够获得最终的胜利吗？

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

一条狗的回家路

某日，善良的男孩卢卡斯（乔纳·豪尔-金 Jonah Hauer-King 饰）在一幢废弃的大楼里遇见了一只孤零零的小狗，虽然卢卡斯的母亲禁止他养宠物，但是不忍心看到小狗无人照料的卢卡斯还是将小狗带回了家并取名为贝拉，就这样，贝拉成为了卢卡斯家中新的一员。　　某日，卢卡斯的母亲带着贝拉前往退伍军人医院看病，哪知道贝拉不仅没有给她惹麻烦，反而还给医院里原本郁郁寡欢的病人们带来了快乐，很快，贝拉就成为了医院中的人气明星。一场意外让卢卡斯不得不将贝拉寄养在朋友家中，并不理解主人的用意的贝拉决定离家出走，依靠自己的勇气和智慧和主人重聚。

隨懿深度行

有別於傳統觀光旅遊，《隨懿深度行》着重「深度」體驗與探秘。主持黎諾懿「公器私用」，藉節目帶同四位「女神」好友前赴馬來西亞玩餐飽，從享受過程中也能有所得着！諾懿就着李佳芯、劉穎鏇、高海寧、黃翠如的性格特質，度身訂造專屬的旅遊主題，在怡保、金馬崙、雪邦等地開展不一樣的體驗。優悠之旅、自然探索、享受生活、新意玩樂等不同風格的旅程，讓觀眾認識大馬的多元文化風情，同時也可喚起、激發出女神們的另一面。

CBA常规赛第8轮 山西汾酒VS青岛国信水产 20231109（石楷文）

夏日暖洋洋

的士司机德子（余皑磊）离婚后认识小雪（左百韬），但两人交往没多久，德子就开始嫌其有一堆毛病，慢慢与她拉远了距离。不久，在街上拉活时，德子又结识漂亮时尚的大学图书馆管理员苗苗（陶红），对其风度、气质和性...

宫女

21-22赛季德甲第30轮 比勒菲尔德VS拜仁慕尼黑

4月17日 21-22赛季德甲第30轮 比勒菲尔德VS拜仁慕尼黑

冰血缉凶第二季

冰血缉凶第二季的开始是第一季的事件发生几个月之后。阿冈昆湾已经到了初夏，而出来寻觅血液的不只有黑蝇。侦探约翰·卡迪纳尔和莉丝·德洛姆发现自己手上有了一起奇怪的案件，涉及一名头部中枪的年轻女子。调查很快随着卡迪纳尔和德洛姆发现一系列可能与这位年轻受害者有关令人不安的仪式性凶杀案出现了变化。卡迪纳尔必须努力在凶手再次作案之前找出这名年轻女子和开枪者的身份。 在名为《红》的第一集中，杰里·克里斯塔（格伦·古尔德）在路边酒吧发现一个头部中弹的迷茫的红发女子。红发女（Alex Paxton-Beesley）不记得她是谁，她是怎么到那里的，也不记得是谁开的枪。即使子弹取出后，她也记不起任何东西。克里斯塔将案件交给侦探约翰·卡迪纳尔和莉丝·德洛姆，他们必须保护红发女，同时努力揭露她和开枪者的身份。@m.yakutv.cc

心之黎明

泰剧《男儿本色之钻》由男星sun和女星oom主演，讲述的是出身于逆境的男生如何自强不息的励志故事。@http://www.renrendianyingwang.cn/

夜半天使

本片是一部传达珍爱生命理念的悬疑喜剧爱情片讲述了主人公富二代CEO贺子豪从花花公子成长为一个有责任、有担当的男人的故事。贺子豪与恋人苏婉心流产的婴儿，不仅教会了他树立正确的爱情观，也让他学会了承担自己对爱人、对家庭的责任，终于在经历了一系列失败和痛苦之后，收获了美满的爱情与家庭。贺子豪与苏婉心收养了孤儿福利院的小女孩安琪儿，这是对他们流产婴儿的弥补，也是他们重拾对生命的尊重。但愿当代青年人在面对新生生命时能更加理智，减少类似这样的悲剧。每个孩子都是降临凡间的天使，愿我们敬畏生命、珍爱生命！