在一个风景如画的英国乡村,自然学家查尔斯·达尔文(保罗·贝坦尼 Paul Bettany 饰)与妻女一起过着恬静的生活。他十岁的大女儿安妮对世界充满好奇,达尔文便教予她很多自然和科学知识,其中还包括他的进化论,然而在世人都相信上帝乃造物主的当时,女儿口中的进化论无疑是危险的,以至于令她被家庭教师体罚,就连达尔文深爱的妻子艾玛(詹妮弗·康纳利 Jennifer Connelly 饰)也无法认同他的观念和研究。更令达尔文受创的是,不久后,小安妮因生病早夭,唯一一个支持他完成学说的力量之源也黯淡了,整理《物种起源》手稿的工作变得犹如逆行荆棘,举步维艰…… 本片改编自达尔文第三代玄孙兰德尔·凯恩斯(Randal Keynes)的传记小说《安妮的盒子》。
男主角雷蒙表面上是小镇的玩具店老板,实际上却是国家的超级特务为了执行任务,他经常在世界各地飞来飞去,因此而错过儿子的棒球比赛,甚至见不到妻子的最后一面。然而,不管雷蒙怎么隐瞒他的真实身份,仇家还是找上门来,并且让他变成了阶下囚。唯一能挽救他的人,只有当时在场目睹一切的儿子。 本片的故事架构跟阿诺主演的《魔鬼大帝:真实诺言》有点雷同,但制作规模和娱乐效果均相差甚多,职业摔角高手库克霍根饰演这名有口难言特务父亲,企图在这部家庭片中展现亲和力,可惜导演约翰.莫洛斯基拍不出效果。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
一只猫变成人后他们初次见面就在床上,认识的人还误以为一夜情关系,只不过纯粹主仆。主人无奈地照顾他的起居饮食,猫儿总是唱反调让主人气得哭笑不得。 不知不觉真的爱上猫儿,主人也希望自己变成猫,无拘无束快乐地生活。 越南 | O2 Production 推出的 BL《ViAnTheSeries》是一个 TikTok 系列和 YouTube 短片——由 Ba Vinh 和 Mai Vu Luan 主演
11月2日 22-23赛季欧冠小组赛第6轮 葡萄牙体育VS法兰克福
1970年代初,南越敌舰不顾国际法约束,经常窜入我西沙海域骚扰,严重影响我边疆渔民海上作业。居住在西沙群岛的于化龙(唐国强 饰)一家祖祖辈辈生活在这里,一天,正在海上捕鱼的一家人遭遇闯入我领海的南越10号舰,阿爸(高保成 饰)驾渔轮和敌舰展开周旋,但最终渔轮被敌舰撞翻,全家人落入大海。幸而被我赶来的海军救起,于化龙决定报名参军,保卫祖国海防。入伍后,于化龙从一个普通水兵成长为舰长,上级命令严惩不断入侵的南越舰艇,于化龙的阿爸和妹妹(洪学敏 饰)也参加了海战。战斗中,我舰中弹受损,于化龙急令修复,并一举收复了甜水岛,击溃了登岛的敌人,敌舰长也命丧黄泉......
热爱跳舞的13岁少女黎春夏不幸遭遇车祸,沉睡15年后竟奇迹般地苏醒,醒来后却发现生活发生了天翻地覆的变化,不仅丧失了十五年的生活常识,体重也飙升至200斤。但是为了完成在舞台上翩翩起舞的梦想,她与童年的三位同伴再次合体,巧遇灵魂舞者培训班创始人皮鲍十,一场华丽丽的魔鬼特训就此开启。
在经历灾难性的约会和父母的意外婚礼之后,Alex、Valerie和Laura决心离开这个家重建自己的生活。但那谈何容易?尽管有新朋友、新生意伙伴、新男友和新女友,但那只能起到短暂的「分心」作用,这个功能紊乱的家庭仍然像吸铁石一样牢牢吸引着他们。 Dylan Gelula在第二季中扮演Laura的新学校里的学生Aubrey,非常自信,喜欢挖苦人。他的智力水平与Laura不相上下,而且有望成为Laura最亲密的朋友。Britt Robertson扮演Jordon(Vincent Kartheiser)的助理Fallon,聪明、愤世嫉俗、爱挖苦人、有自己的企图。这是她继《随缘》(Life Unexpected)之后再次与制片人、剧集创作人Liz Tigelaar合作。Kyle Bornheimer扮演多集角色Jack,Michaela第二季的主要爱情对象。...
作为一个大龄单身男青年,网恋or相亲,哪个才能得到真爱?单身男程序员周达面对老爹的花式催婚,不得已开始了自己的相亲之旅。其实他一直有一个网恋对象——江莹,为了江莹,周达决定搞黄所有的相亲。一系列啼笑皆非的相亲之后,坐在他对面的居然是自己的高中同桌张萍。周达开始与张萍朝夕相处,江莹却毫无征兆的出现,而在此时,张萍的电话打了过来……张萍发现了江莹似乎有什么秘密……
故事讲述出差归来的项尚在回家的路上遭人绑架,回到家后却发现,家中已经发生了翻天覆地的变化,老婆和自己离婚了公司和房子都卖了。而且自己也在被通缉,走投无路的项尚选择了跳海自杀。跳海之前,项尚把自己的遭遇打电话告诉了自己的好友叶枫。项尚跳海后没有死,漂流到了一座荒岛上,过起了鲁滨逊式的生活。叶枫对项尚的事情一直不停的追查,并最终查出,所有的一切都是项尚从小一起长大的好友茹果策划的阴谋。叶枫将项尚找到后,并在叶枫的帮助之下,将茹果的阴谋一一揭露出来,并将茹果送去了公安局,茹果也得到了自己应得的惩罚。
本站只提供影视资讯页面服务,本站不存储、不制作任何视频,不承担任何由于内容的合法性及健康性所引起的争议和法律责任。
若本站收录内容侵犯了您的权益,请附说明联系邮箱,本站将第一时间处理。
© 2024 ksgongfu.com😄😄 E-Mail: ksgongfu.com@gmail.com😄😄 京ICP备10011097号😄😄