Toni Musulin has worked as a security guard on an armored truck for 10 years. One day, with 11.6 million Euros on board, he drives off without his two colleagues, committing the "heist of the century". Having spent one year planning his robbery, he takes advantage of the flaws in the system that he knows inside out. Leaving his wife and his only friend, he disappears with the money, seeking revenge against his arrogant boss for humiliating him.
故事讲述别尔科公司的职员们原本平静的一天被广播里的神秘声音划破,他们被告知公司范围内将强制展开大型逃杀活动,一群平日西装革履的伪善者会不会在死亡面前创造人性丑陋新高度?
在名为Ankh-Morpork的城市里,现代科技取得了极大的进步。人们渐渐忘却传统的邮政系统,转而倾向于更加便利快捷的互联网络Clarks。但是Clarks并不稳定,由于系统经常崩溃,导致网络传输的速度越来越慢。Ankh-Morpork的领主维提奈瑞(Charles Dance 饰)无法继续忍受Clarks的专横和缓慢,他决定服刑业已崩溃的传统邮政系统。维提奈瑞将复兴邮政的最佳人选锁定在莫瑞斯特·范·李维格(Richard Coyle 饰)的身上。这是一个头脑精明、狡猾非常的小骗子。维提奈瑞在即要关头就下了即将被绞死的莫瑞斯特,并委命他为邮局的局长。莫瑞斯特逃跑不能,不得已带领一帮老弱残兵与Clarks展开了对抗…… 本片根据Terry Pratchett的同名小说改编。
清晨,他醒过来,脖子上的伤痕指示着昨晚生日派对酒醉之后发生过与某名女子的床第关系,但女子的面貌却记不起来了。根据所遗留的记事簿指引,在一个地点遇见的一个美丽 女子,其回头一瞥表情暧昧,对方确乎是非她莫属。迪斯科舞场,他得以从明灭的灯光下扭动的众舞者中,再次辨识、邂逅了那名美丽女子JAYMEE ONG ,旋即,俩人到厕所里以最狂野的方式完成了性动作。可是,记事簿并非JAYMEE ONG的……
内详
事业受挫的心理医生李乐怡与闺蜜瑶瑶经营餐厅,以美食与心理学相结合烹饪出治愈美食,治愈食客的同时李乐怡也解开了心结收获爱情。
讲述索尔·古德曼(鲍勃·奥登科克 饰)遇见毒师“老白”之前的故事,描述了本性善良的律师“吉米”转变为游走在法律边缘的无良律师“索尔”的过程。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
这是一个藏汉一家亲的故事,也是两个年代的爱情故事,更是三代山东人对青海的情感故事。陈蓦然和马小超被爷爷的故事、和原子城的精神感染,决定留在草原。
A lone crimefighter battles the forces of evil with the help of an indestructible and artificially intelligent supercar.
A romance historical drama set in Joseon in the year of the Rat.
在商业区衣服材料店打工的26岁女孩吉成千奈美(泽尻英龙华 饰),对时尚有着天然的热爱。偶然机缘,她经人介绍结识了顶尖时尚杂志《First Class》的主编大泽留美(板谷由夏 饰),并以实习生的身份进入了这个她梦寐以求的编辑部。然而时尚圈子光鲜的外表之下,弱肉强食的残酷性却是她所始料未及的。从冷峻寡语的主编到野心满满的肉食系猛女副主编八卷小夏(三浦理惠子 饰),从靠关系混日子的海归腹黑女编辑川岛瑞美绘(菜菜绪 饰)到凭打拼逐渐上位的合同工木村白雪(田畑智子 饰),从出身平平的当家模特MINA(佐佐木希 饰)再到人气直升的富家女+名模ERENA(石田ニコル 饰)。围绕这本杂志,硝烟和战火无时无刻不在进行。 为了出人头地,千奈美似乎只有选择战斗,投入到Mounting的残酷厮杀之中……
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