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  • 2016 7.0
  • 2020 9.0

    恶之花

    讲述为隐藏残酷过往而改变形象的男子,与追踪其过往的重案组刑警结婚后的故事。   李准基饰演看似为妻子和女儿无私付出的居家型男,但实际上不带感情去欺骗妻子而得到现有的一切,文彩元饰演深爱着丈夫的天真妻子,却要遭遇亲手为丈夫上手铐逮捕。

  • 2008 1.0

    爆笑解说《鬼来电》

      年轻少女贝丝•雷蒙德(Shannyn Sossamon 莎妮•索萨蒙 饰)正经历人生最恐怖的时刻。她的两位好友谢莉(Meagan Good 饰)和琳恩(Azura Skye 饰)短短几天内相继遭遇横祸,离奇死亡。更为恐怖的是,她们在死前的几天皆收到来自自己手机的语音短信,短信不仅预告了死期,还录下她们惊恐绝望的呼叫。此后几天,贝丝更亲眼目睹其他几位朋友的死亡,阴森肃杀的气氛在她们之间蔓延。                                                                      警察杰克(Edward Burns 饰)受命调查此案,与其他警探不同,他对贝丝的描述深信不疑,因为杰克的妹妹便是这一连串离奇事件的第一位牺牲者。两人达成共识,联合调查背后真相,而这时贝丝却接到了自己手机发来的神秘短信……                                                                      本片根据日本同名电影翻拍。

  • 2016 4.0
  • 1998 5.0

    木兰从军

    本剧分为上下两部。 第一部讲述身手不凡又孝顺双亲的花木兰(袁咏仪 饰)代父从军,在战场上英勇杀敌,邂逅大将军李亮(赵文卓 饰)。这段时光虽然艰苦,但却是花木兰表现自我的舞台。只要尽力保卫国家,既得朝廷赞许 ,又得民心拥护。 第二部则讲述离开战场过上家庭生活的花木兰,面对婆媳关系、夫妻关系,则不是她最擅长的部分。虽有丈夫疼爱,但问题还是在不停发生。木兰感到筋疲力尽,提出了分开。李亮大吃一惊,而婆婆则更加落井下石。 战场上骁勇的女英雄也要过寻常老百姓的日子,我们万世传颂的花木兰也要面对人间烟火的琐碎。©豆瓣

  • 2020 8.0

    中国司法

    《中国司法》主要从纵向发展线索来描绘我国当代司法的历史景深,展现我国传统司法的得失,为我国司法的现代性和多年来司法机关奋发改革取得的辉煌业绩作一个写意与工笔兼具的画像,增强当代中国司法制度自信和司法历史传统的文化自信。精彩解读

  • 2013 1.0

    午夜幽灵车

    电影《午夜幽灵车》围绕上海街头一件“幽灵车”事件展开,警察万洪(邓钢饰)得知后深入调查此事,经过精心调查侦破了此案。在案件看上去尘埃落定之后,万洪始终觉得其中另有隐情,于是他决定与姜家三少爷联手,查出其中隐藏的更大阴谋,最终揪出了幕后黑手,案件这才水落石出。

  • 1947 1.0

    丹麦小村教堂

    The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

  • 2016 8.0

    毒爱

      因为爱情与责任而备受煎熬的幽灵。她的责任就是守护大城王国的宝藏,直到它走到尽头。跨越世纪的恩怨纠葛,跨越世纪的疑惑,究竟为何她的爱人会对她做出如此可怕的事情。她从不知道缘由。唯一能让她的灵魂得以解脱,不再履行永远守护宝藏职责的方法就是找到一个替身。Ubol,或者在现在这个时代应该称她为Saroshinee, 对别人都不屑一顾,只有他,Ukkanee, 这个她爱到胜过自己生命的男人。爱情就是爱情。纯真的情感期待同样的回应,但是她得到的却是无尽的折磨。她苦苦寻找着正确的论断。最后,Boy终于决定把Thomyunthee的小说“Pidsawad”搬上电视银幕。 Pong Nawat饰演Ukkanee,他的前世是一位将军, 而今生,他轮回为一位考古学家。然而,他却和他的前世丝丝相连,因此他试图找出自己的真实身份。而女主角由Bee Namthip饰演。 她...

  • 1931 9.0

    丑小鸭1931

    在一个农场里,胖胖的鸡妈妈正在孵卵,满心幸福地等待新生命的到来。不久后,小鸡们一只只破壳而出,令鸡妈妈欢喜过望。然而最后一枚蛋破掉之后,出来的却是一个黑脑袋、秃身子、扁嘴巴叫起来嘎嘎嘎的怪家伙。这可吓坏了鸡妈妈,她连忙护住小鸡们,防止丑小鸭的伤害。可是丑小鸭好像不知道自己正被“妈妈”讨厌,他殷勤地凑过去,结果一次次被骂跑。刚出生就丧失母爱,丑小鸭非常伤心,雪上加霜的是农场里的牛和狗也欺负他。   正在这时,远处传来恐怖的呼啸声,恐怖的龙卷风正向农场袭来。一路上飞沙走石,狼藉一片。丑小鸭不顾一切向回跑,只为救助妈妈和他的兄弟们……

  • 2022 5.0

    21-22赛季法甲第29轮 马赛VS尼斯

    3月21日 21-22赛季法甲第29轮 马赛VS尼斯

  • 2018 4.0

    自由了!

    极具创新性的黑色喜剧,讲述女警探帮助出狱的男子重回原来的生活,将荒谬滑稽和温馨浪漫共冶一炉。

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